This week fonts grind my gears. Fonts on the web that is.
Between the CSS @font-face selector & the myriad of font replacement tools available the futureis looking quite bleak. Considering how many pages per day a normal user browses can you imagine how tiring a web where every website has a different body font would be?
@Font-face
When it comes to @font-face I know most designers out there know that there will still be only a handful of fonts that are proper for web use, especially if the end user doesn’t have ClearType enabled.
But. Oh, yes, the ever so present but. You do realize that there will be a mass of designers that will be so overcome with the new found wealth of opentype and truetype fonts readily available to them for free and so bewildered by this that they will forget, if they ever had, any design common sense and start using 14px italic Papyrus for headings.
Wait a second.
Ok, I’m back, I had to go vomit a bit.
But bad designers are not the biggest concern I’m having with @font-face. What is, though, is the fact that clients are going to start having typographic demands spreading beyond the usual “could the heading be in the same font as my logo? what’s that? I suppose it’s called Comic Sans.” and take that extra step to push us [web designers] over the hill and then perhaps we’ll see the first case of a web designer brutally slaughtering a client with a copy of “Helvetica: Homage to a Typeface“.
And it’s not going to be just silly small in-the-dark clients that are going to get behind @font-face. You can see how sites like The Times are going to want to implement the same body font that they use in the printed version of their newspaper. Ok, maybe not The Times but most any other company that primarily uses print as their medium will. With total disregard to the fact that fonts render differently on screens than paper [duh!].
Font replacement methods
CĂșfon, FLIR, sIFR, Typeface are just some of the methods some designers use to apply non-standard font on the web. I could go on telling you why they all fail immensly but since you read this far I imagine you already know about the inevitable pitfalls these systems encounter. Instead here’s, probably, a new perspective on these methods: why would anyone use a system that is sluggish, fails in older browsers, fails on some mobile devices, is a pain to implement [rather than using regular images to which you would keep your source files] and most importantly does not allow for any non css styling [like you would use with a picture]? I have not, will not, cannot use such a system and still call myself a real web designer. To me this is close to using 2001 style DHTML on a table structure.
Remember when i said these do not grind my gears as bad as other things? They don’t because the logic and genius behind implementing the font-replacement methods is just that: genius. I tip my hat with great respect to the likes of Simo Kinnunen, Mike Davidson or Cory Mawhorter for their wit and smarts.
And just before I go, here’s a little something I found for all you Comic Sans haters out there. Including me.
By FSM, that comic is atrocious. Made it through the first bubble; no more.
me too scrolling down to that 2nd bubble …. i will download and get the ending to this atrocity later..
I think we have a whole raft of commonly bad fonts that grinds the gears of designers. Ariel! Yawn a rama!
Ahh! As a designer I can winge with the best of them about fonts… but also like most I am Dyslexic and can not spell. (Arial)
Well, I cannot agree 100% with the rant about using cufon, sifr or the others. Design has to be free of limitations, so if you really know what you’re doing and you’re a designer and not just someone with “mad-PS-skillz”, that’s fine. I would use cufon for setting the H1 with something different than Arial, that’s all – and I would restrain myself from Papyrus, I promise
I agree with your point neogrey and this is really what this rant is about: the fact that the font revolution that CSS3 and all the sIFRs and Cufons hold will not just make it easier, more flexible and more fun for real designers to work and portray their ideas but also for people that “think” they’re good at this job to screw up zeh interwebs! I fear the days when Papyrus and Copperplate will overrun the web like the damn Apocalypse (the fictional event, not the village, though I’d like to visit it sometime).
I’m assuming you have seen this? Not sure what they use. http://typekit.com
@Curtiss – I’ve known about Typekit for some time now and I think it’s a nice solution to a possibly expensive problem.
Essentially they’re just a host, albeit a very, very…very! secure host, for typefaces. This way, you don’t have to buy the font you need. Just use their service and watch the costs go down.
Personally, I’m a big Public Domain advocate and I try to use as many PD fonts as possible. Check out http://openfontlibrary.org – it’s my favorite place to go hunt for new, truly free and embeddable fonts.
Alternatively, you can try http://www.fontsquirrel.com – they host commercial free fonts, though not all are embed-free.